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4 string bass soloing on the Sigil scale C, C♯, E, F, G♯, A at 130 bpm.wav
The Sigil scale has 4 transpositions:
1. C, C♯, E, F, G♯, A
2. C♯, D, F, F♯, A, A♯
3. D, D♯, F♯, G, A♯, B
4. D♯, E, G, G♯, B, C
semitonal progression (steps forward from each previous position):
0, +1, +3, +1, +3, +1, +3
or
0, +3, +1, +3, +1, +3, +1
Mix the transpositions of the scale (submodes) and add blue notes (outside the scale).
Don't be extremely strict on the scale, neither extremely free. 98% of the time follow specific rules (namely use the subscales).
Use the Harley Benton PB-20 SBK Standard Series (all black) or the MODO BASS vst.
Type
Wave (.wav)
Duration
0:14.323
File size
2.4 MB
Sample rate
44100.0 Hz
Bit depth
16 bit
Channels
Stereo
3 years, 9 months ago
Please compose music using the Sigil scale above. I said please because I love the mysterious compositions.
How to compose:
1. start with one submode/transposition of the Sigil scale
2. keep notes, write the phrases you like; play with it and practice
3. start to compose seriously
4. create patterns of progression and few times deviate from the scale (play FEW blue notes)
5. use FEW transposition-scales/different submodes; don't overdo it, because you might lose the main character of the composition
6. if something sound bad, delete it; do not allow mediocre phrases; keep the best and work hard
(Next time I will give you another scale; work for a long time on a single nonclassical scale, and compose; don't change scales before you study them well and you compose on them. Use only horror, horrorish and mysterious scales (not happy, sad/melancholich, nor nostalgic/happy-sad; because we have to promote rare horrorish and mystic harmonies, that aren't well explored and used as much.)