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I sicked Paulstretch at the lovely chimes from VSCO https://freesound.org/people/Samulis/sounds/375630/ then turned it into something with a more harmonic timbre with a fundamental of 110 Hz, picking a small piece to render. Then I edited the sample to get rid of 5th, 10th, 15th, 20th and some more harmonics, and also of 3th, 6th, 9th, 12th… and some other low multiples-of-3 harmonics.
Using this timbre, one should be able to make septimal thirds (9/7 major and 7/6 minor) sound more consonant by subtracting dissonance peaks around the usual (pental) thirds (6/5 minor, 5/4 major), which should be constituted by harmonics 5n. Other intervals close to intervals with 5 in their ratios should sound a bit more consonant too (e. g. usual sixths: 8/5 minor and 5/3 major).
As there are no fourth (4/3) and fifth (3/2) dissonance peaks, one should be able to use intervals like septimal tritone 7/5 more readily. Though I haven’t scrubbed multiples of 3 just as well as I did for 5.
I haven’t experimented yet but I assure you. :D
(There is another sound in this pack which has clearly audible 3rd harmonic multiples. That one lacks only multiples of 5. I made it first, and this one adterwards.)
Also one should probably take a sampled instrument and process all its samples with a notch filter, or a comb filter, or FFT or something else, to make a timbre with good usability. This one is just an example I want to share, which may accidentally work for something.
Type
Flac (.flac)
Duration
0:07.428
File size
871.0 KB
Sample rate
44100.0 Hz
Bit depth
24 bit
Channels
Stereo