a systematic series: I´ve recorded the pop of a special packaging material several times with different mic settings. Then I decreased the speed of the recordings to 1/2, 1/4, 1/8 and 1/16 reaching astonishing blasting effects. An additional surprising result was the sound of the crumpling of the material which sound like a collapsing brickwall in the slower modes and the natural reverb changes from small room to big hall
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