We've sent a verification link by email
Didn't receive the email? Check your Spam folder, it may have been caught by a filter. If you still don't see it, you can resend the verification email.
Yet another remake of one of hello_flower's soundscapes. This one is a little longer than his not really BETTER, but just a different choice.
Type
Flac (.flac)
Duration
1:08.576
File size
4.9 MB
Sample rate
44100.0 Hz
Bit depth
16 bit
Channels
Stereo
5 months, 2 weeks ago
I used your sound in an animation called WWII Bombing Campaign 1939-1945 that runs in our museum Bomber Command Museum of Canada.
It is not available online.
5 months, 2 weeks ago
I used your sound in an animation called WWII Bombing Campaign 1939-1945 that runs in our museum Bomber Command Museum of Canada.
It is not available online.
9 months, 3 weeks ago
Using this for our war scene in youth theatre. Thank you so much
1 year, 6 months ago
Thank you.
3 years, 3 months ago
Nice, I just miss the whistling. Yes, WW2 bombs did whistle. In fact, any fast but subsonic-moving object with sharp edges will whistle, but WW2 era bombs did have whistle-shaped parts to make them louder and improve the psychological effect (if you can make an enemy flee or surrender, that's much more effective than killing them. And less cruel).
And it worked. Some survivors from the WW2 bombings said that the thing they most remember is the whistling. A loud, constant pitch sound* that, in their words, sounded like the bombs are going to fall in your head. Much louder than the aircraft engines. In an intense raid you could barely hear anything but whistling and detonations.
*The famous falling pitch is only perceived from the perspective of the bomber, due to doppler effect.