write me an e-mail: firstname.lastname@example.org
Ill do it for you
HEre some examples of my works
2765 - Wake
Strangely enough, it's the title of the short film im sound designing for (A Wake), right as I type this text...
2764 - funeral
I've sent you a PM.
Thanks guys, this was very helpful.
2763 - Procession
2762 - recession
I need a vocal sample, that sounds awesome as fuck, that intros like: "This.. is Hardstyle"
And then I would bring in a track commencing a hardstyle track to the masses that are like.. virgins to the genre. Something easing, nothing too demonic.. reasonable acceptable. You know.. for an intro. Take, for example, n intro track Music Made Addict by D-Block & S-Te-Fan.
look for the "Edit sound information" link in the detailed page of the sound you want to edit, it's on the right, under the box with the sound features.
2761 - Economics
I'm new here and I'm wanting to know how to edit the description of a sound that has been uploaded to this website. NOT whilst it is being examined by a moderator, but after it goes onto the site.
2760 - Greece
What annoys me is that techno music was about innovation and forward-thinking at one point. People picking up unwanted boxes and pushing them beyond their limits — instruments that were derided as ‘toys’ and not sounding ‘real’ enough (sound familiar?) I try to recapture that early ethic, doing the best I can with what I have to hand. Hardware, software, analogue, digital, noises I downloaded off Freesound.
I don’t want to give the impression that gear elitism is confined to the hardware heads. I’ve always been impressed with the design of software like Propellerhead Reason and Cakewalk Project5 (not sure if that exists any more, it’s ages since I did any music, or indeed anything, outside Linux). And yet unless you have the ‘most professional’ sequencer (usually Cubase or Logic) you are a ‘kid’ playing with a ‘toy’.
I just don’t understand the sonic conservatism in so much electronic music. People ought to learn that techno isn’t short for technophobia.
I’ll try to catch my dog walking on the wood floor downstairs, I know exactly the ‘clicky claws’ sound you mean. Will be CC0/public domain if I can manage it.
Awesome, looking forward to hearing it- Thanks a bunch!
2759 - Atom
2758 - hydrogen
Bigcat Instruments has done a significant amount of work compiling and hosting a variety of different public domain and Creative Commons licensed samples into free sample based instruments. Many of them are available in SFZ format. His piano collections can be found here:
Also, Bedroom Producers Blog has an extensive list of free sampled pianos:
I used to read a lot of these so called wars between the two sides, and at the end of the day I realized the only thing that mattered is if music was produced at all. I suppose most of these people who engage in such discussions are hoping to hit it big in the music world, and feel only one way is the right way, or "what the pros do" is the right way. Different pros do it differently and based on their ideal "pros", people pick and choose a way to go. And argue from that pov.
Gotta admit, it's fun to read their posts when you yourself are not participating in such a discussion.
I've just published a short collection of four songs - The Four Visions of Doctor Tarrec. Thanks to the freesounders whose sounds went into this. And thank you for stopping by to listen.
I really wish I understood what exactly motivates people to spend hour upon hour having pointless arguments about gear, most of which degenerate into combinations of the phrases ‘toy’ ‘kids’ ‘too digital’ ‘Frooty Loops’ (sic) ‘analogue feel’ and ‘f*gg*t’.
What they all seem to have in common is that they spend so much time arguing about the merits of the biggest and most expensive phallic substitutes of instruments that they don’t actually have any time left to make any music.
Bless. I wish people would view learning a new type of chord, scale, rhythm or production technique as a higher priority than indulging their GAS. But then, what’s the warm fuzzy feeling of having written a piece of music that other people enjoy compared to bragging about your studio?
*huge exasperated sigh*